Vicenza: La fabbrica del Rinascimento

dentaria

Augustus
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Stammrömer


...
transformation of its image from a “provincial location”, through avant-garde art and architecture, into a true capital of culture. Cultured and cosmopolitan clients, Vicenza’s nobility believed in the visions of a group of talented, ambitious young artists, who would become famous all over the world. What bound them together was their passion for new art nourished by that of Antiquity, born in the Rome of Michelangelo and Raphael, the art that Vasari was to define as the “modern manner”. It was very clear to the young artists that the resounding strength of this new language would enable them to challenge and undermine the venerated and celebrated masters and their traditional models, which were dominant in Venice at the time.

It was the genius of the architecture of Andrea Palladio, of the painters Paolo Veronese and Jacopo Bassano and the great sculptor Alessandro Vittoria.
 
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